Monday’s Music Moves Me – HEAVEN & HELL SONGS! (#4M, #MMMM)

HEAVEN & HELL

It’s Monday so that must mean this is a Monday’s Music Moves Me post. It is and what makes today’s 4M even more special (to me anyway) is because for this month of May I am the honorary co-host of the blog hop which means I get to come up with the month’s themes.

My earlier theme kicked off my Body Parts Songs Series (if you missed any of it you can check out the initial post introducing the ROCK & ROLL HEAD TO TOE Series with my post featuring Songs with the word HEAD in the Title or the second installment featuring Songs with the word HAIR in the Title. The series will continue with upcoming Freebie weeks).

But today is a brand new theme and I thought it might be fun to explore songs about Heaven or Hell (or songs with Heaven or Hell in the titles).

I bet you could come up with a bunch of songs that fit that bill. I certainly have my favorites that came to mind right away because they are part of the soundtrack of my life. But in compiling my list I stumbled across a bunch of unknown-to-me songs with Heaven or Hell (or both) in the titles. So I’ve put together a cool playlist combining my favorites with some new-to-me songs discovered along the way that I really like. Hope you all will like them too.

Let’s kick this party off with a group of MY FAVORITE HEAVEN AND HELL SONGS! The new-to-me songs are integrated in a way that hopefully provides a pleasing flow of the music. And, if you’re interested, you can read some info that I dug up: just basic information and a few fun facts that I learned about the songs and their artists. No need to read it all but it’s there for you if you want it. Now LET’S ROCK!

The Heaven & Hell Playlist songs and info:

If You Wanna Get to Heaven (You’ve Got to Raise a Little Hell) by Ozark Mountain Daredevils – The Ozark Mountain Daredevils are an American Southern rock/country rock band formed in 1972 in Springfield, Missouri. They are most widely known for their singles “If You Wanna Get To Heaven” in 1974 and “Jackie Blue” in 1975.

The “If You Wanna Get To Heaven” single is from their 1973 album The Ozark Mountain Daredevils. This is their debut single and it reached #25 on the U.S. Billboard chart. It was the band’s first hit and was typical of their sound. These Missouri boys sported long hair and a hell-raising attitude, which is the theme of this song: “If you want to get to heaven, you’ve got to raise a little hell.”

The music video in my playlist is a performance from an Old Grey Whistle Test appearance (OGWT was a British television music show). Recorded live at Shepherd’s Bush, London, March 26, 1976.

Hell’s Bells by AC/DC – “Hell’s Bells”, released in the Fall of 1980, is the second single from AC/DC’s seventh studio album Back in Black. “Hells Bells” is the first track of AC/DC’s first album without lead singer and co-songwriter Bon Scott, who died on February 19, 1980 after a night of heavy drinking. Brian Johnson is the lead singer who replaced Bon Scott.

The song begins with a bell slowly tolling four times, after which Angus Young starts playing the song’s main riff. Malcolm Young then joins in, followed by Phil Rudd on drums and Cliff Williams on bass. The bell tolls a total of 13 times during the song’s introduction.

A 2,000-pound cast bronze bell, made by John Taylor Bellfounders in Loughborough, Leicestershire, was used on the track. It is a replica of the Denison Bell in the Carillon Tower at the Loughborough War Museum. The band first attempted to record the actual Denison Bell, but that proved problematic due to disruptions by pigeons nesting in the tower. The AC/DC logo and the words “Hell’s Bell” are engraved on the replica.

In addition to the Back in Black album, the song also appears on Who Made Who, AC/DC’s 1986 soundtrack to the Stephen King movie Maximum Overdrive and on both versions of 1992’s AC/DC Live.

Knockin’ on Heaven’s Door by Bob Dylan – “Knockin’ on Heaven’s Door” is a song written and sung by Bob Dylan, for the soundtrack of the 1973 film Pat Garrett and Billy the Kid. Released as a single two months after the film’s release, it became a worldwide hit, reaching the Top 10 in several countries. In the US, it reached No.12 on the Billboard Hot 100 singles chart. The song became one of Dylan’s most popular and most covered post-1960s compositions, spawning covers from Guns N’ Roses, Eric Clapton, Randy Crawford and more.

Described by Dylan biographer, Clinton Heylin, as “an exercise in splendid simplicity”, the song features two verses, each of which represent the film’s title characters and American frontier legends Pat Garrett and Billy the Kid.

NOTE: The video in my playlist is not Bob Dylan singing, but has some great photo shots of the great BD. You can find a Dylan rendition of this song at the end of the playlist.

Beer Drinkers & Hell Raisers by ZZ Top – ZZ Top is a rock band formed in 1969 in Houston, Texas. The band currently consists of bassist and lead vocalist Dusty Hill, guitarist and lead vocalist Billy Gibbons (the band’s leader, main lyricist and musical arranger), and drummer Frank Beard.

“Beer Drinkers & Hell Raisers”, one of my favorite ZZ Top songs, is on their Tres Hombres album. Tres Hombres (Spanish for “three men”) is ZZ Top’s third album released in 1973 and was the band’s commercial breakthrough. In the US, the album entered the top ten.

In a Songfacts interview with Billy Gibbons, he talked about the down-and-dirty honky tonk that inspired this song.

“On to a gig in Phoenix, we were driving through a West Texas windstorm. We, the band, were waiting to discover a place with some safe ground cover when the late-night lights of a roadside joint appeared. It was just across the line outside El Paso into New Mexico.

We ducked in quick and came face to face with our kind of folks… those soulful souls seeking solace, not only out of the dust and sand, but out of mind. What chance does one get better than that! We joined the gathering and started scribbling.”

Rock and Roll Heaven by the Righteous Brothers – I love this song! “Rock and Roll Heaven” is song written by Alan O’Day and Johnny Stevenson and popularized by The Righteous Brothers. It is a paean to several deceased singers such as Jimi Hendrix, Janis Joplin, and Otis Redding, and has been rewritten a number of times to include other singers. The song was first recorded by the band Climax in 1973, but it failed to chart. It was then covered by The Righteous Brothers in 1974 and reached number three on the U.S. Billboard Hot 100.

Musicians and songs mentioned in Righteous Brothers version:

“Jimi gave us rainbows” refers to Rainbow Bridge by Jimi Hendrix.

“Janis took a piece of our hearts” refers to the recording of “Piece of My Heart” by Big Brother and the Holding Company featuring Janis Joplin.

“Otis brought us all to the dock of a bay” refers to “(Sittin’ On) The Dock of the Bay” by Otis Redding.

“Sing a song to light my fire, remember Jim that way” refers to “Light My Fire” by The Doors which featured Jim Morrison.

“Remember bad bad Leroy Brown, Hey Jimmy touched us with that song” refers to “Bad, Bad Leroy Brown” by Jim Croce.

“Bobby gave us Mack the Knife” refers to Bobby Darin’s recording of “Mack the Knife”.

The lyrics involving Jim Croce and Bobby Darin replaced Climax’s lyrics for Buddy Holly (“Peggy Sue”) and Ritchie Valens (“Donna”), both of whom died in a plane crash that had already been commemorated by another hit song, Don McLean’s “American Pie.”

Also, in 1981, when the Righteous Brothers appeared for a one song reunion on American Bandstand, they performed “Rock and Roll Heaven”, and made it longer including new lyrics as tributes to Elvis Presley, John Lennon, and Keith Moon.

It was rewritten with new lyrics in 1991 to mourn the passing of Elvis Presley (Love Me Tender), John Lennon (Give Peace a Chance), Roy Orbison (Oh, Pretty Woman), Jackie Wilson (Higher and Higher), Ricky Nelson (Lonesome Town), Dennis Wilson (Good Vibrations), Marvin Gaye (What’s Going On), Sam Cooke (Wonderful World), Cass Elliot (Monday, Monday) who died a few months after the original version of the song was released, and Stevie Ray Vaughan. The rewritten song is included in compilation albums such as Reunion.

Fun Fact: A line from the lyrics of the song is used as the title for Stephen King’s short story “You Know They Got a Hell of a Band”, set in a town called Rock and Roll Heaven.

Highway to Hell by AC/DC – AC/DC is an Australian rock band, formed in 1973 by brothers Malcolm and Angus Young. A hard rock/blues rock band, they have also been considered a heavy metal band, although they have always dubbed their music simply “rock and roll.”

“Highway to Hell” is the opening track of AC/DC’s 1979 album Highway to Hell. It was initially released as a single in 1979. The song was written by Angus Young, Malcolm Young and Bon Scott, with Angus Young credited for writing the guitar riff which became an instant classic. AC/DC had made several studio albums before and were constantly promoting them via a grueling tour schedule. This schedule was referred to by Angus Young as being on a ‘highway to hell.’ The song’s title reflects the incredibly arduous nature of touring constantly and life on the road.

Bon Scott, whose talent as a singer and AC/DC’s frontman was at a peak, was found dead in the back of a friend’s car just over six months after the song was released.

Stairway to Heaven by Led Zeppelin – “Stairway to Heaven” is a song by the English rock band Led Zeppelin, released in late 1971. It was composed by guitarist Jimmy Page and vocalist Robert Plant for the band’s untitled fourth studio album (often called Led Zeppelin IV). It is often referred to as one of the greatest rock songs of all time.

The song has three sections, each one progressively increasing in tempo and volume. The song begins in a slow tempo with acoustic instruments (guitar and recorders) before introducing electric instruments. The final section is an uptempo hard rock arrangement highlighted by Page’s intricate guitar solo accompanying Plant’s vocals that end with the plaintive a cappella line: “And she’s buying a stairway to heaven.”

“Stairway to Heaven” was voted number three in 2000 by VH1 on its list of the 100 Greatest Rock Songs and was placed at number 31 on “Rolling Stone’s 500 Greatest Songs of All Time”. It was the most requested song on FM radio stations in the United States in the 1970s, , despite never having been commercially released as a single there. In November 2007, through download sales promoting Led Zeppelin’s Mothership release, “Stairway to Heaven” hit number 37 on the UK Singles Chart.

HEART PERFORMS STAIRWAY TO HEAVEN AS TRIBUTE TO LED ZEPPELIN AT KENNEDY CENTER HONORS:

In 2012, Heart performed the song in tribute to Led Zeppelin at the Kennedy Center Honors, during which Plant was visibly moved to tears. This performance was so well-received and popular that a limited edition single was released on the iTunes Music Store. When I saw Heart perform this classic to perfection, it absolutely gave me chills. If you have time, it’s really worth watching.

Note: I’m hearing that the video isn’t playing here in my post so here is a link direct to YouTube where you can watch this amazing tribute performance. If you’ve never seen it before, please take this opportunity to sit for just a few minutes. You will be in absolute awe. I swear, I can watch this performance over and over again and still get chills every single time!    https://www.youtube.com/watch?v=LFxOaDeJmXk

Run Like Hell by Pink Floyd – “Run Like Hell” is a song by the English progressive rock band Pink Floyd, written by David Gilmour and Roger Waters. It appears on the album The Wall. It was released as a single in 1980, reaching #15 in the Canadian singles chart as well as #18 in Sweden.

The song is written from the narrative point of view of antihero Pink, an alienated and bitter rock star, during a hallucination in which he becomes a fascist dictator and turns a concert audience into an angry mob. The lyrics are explicitly threatening, directed at the listener, one with an “empty smile” and “hungry heart”, “dirty feelings” and a “guilty past”, “nerves in tatters” as “hammers batter down your door.” Even the act of sexual intercourse is doomed, for “if they catch you in the back seat trying to pick her locks”, the results will be fatal. Although the lyric “You better run like hell” appears twice in the liner notes, the title is never actually sung; each verse simply concludes with “You better run”.

Heaven by Bryan Adams – “Heaven” is a song by Canadian singer and songwriter Bryan Adams recorded in 1983, co-written by Adams and Jim Vallance. It first appeared on the A Night in Heaven soundtrack album the same year and was later included on Adams’ album Reckless in 1984. It was released as the third single from Reckless and reached number one on the U.S. Billboard Hot 100 in June 1985, over a year and a half after the song first appeared on record. The single was certified Gold in Canada in 1985.

Heavily influenced by Journey’s 1983 hit “Faithfully”, the song was written while Adams served as the opening act on that band’s Frontiers Tour, and features their drummer, Steve Smith. The song provided Adams with his first number one single and third top 10 hit on the Billboard Hot 100 chart. It was number 24 on Billboard magazine’s Top Pop Singles of 1985.

Hell or High Water by Passenger – I discovered Passenger last year sometime, either while working on a 4M post or a Battle of the Bands post, and was intrigued by his sound. When I saw that he had a song title that would fit in with this theme, I checked it out and now have another Passenger song that I really like. So who is the Passenger anyway?

Michael David Rosenberg (born May 17, 1984), better known by his stage name Passenger, is an English singer-songwriter and musician. Previously the main vocalist and songwriter of Passenger, Rosenberg opted to keep the band’s name for his solo work after the band dissolved in 2009.

“Hell or High Water” is the first track on Passenger’s ninth studio album, Runaway. Released in August 2018, the album peaked at number 6 on the UK Albums Chart. This song has some amazing violin.

Heaven Only Knows by Richard Marx – “Heaven Only Knows” is from Richard Marx’ self-titled debut studio album, released in June 1987.

FUN FACT:: Richard became the first male solo artist (and second solo artist overall – the first being Whitney Houston) in recording history to reach the top three of the Billboard Hot 100 with four singles from a debut album”

Hell is for Children by Pat Benatar – “Hell Is For Children” is a song by American rock singer Pat Benatar. It was written by guitarist Neil Giraldo, bass player Roger Capps and Benatar. The song is about child abuse and was recorded by Benatar in 1980 for her second studio album Crimes of Passion.

Pat Benatar started writing the song after reading a series of articles on child abuse in the New York Times. She was shocked to learn such things happen and wanted to write about it.

Heaven Must Be Missing an Angel by Tavares – “Heaven Must Be Missing an Angel” is a disco song written by Freddie Perren and Keni St. Lewis. It was recorded by the American band Tavares (also known as The Tavares Brothers), an American R&B, funk, and soul music group in 1976. It was released as a single from the album Sky High!

“Heaven Must Be Missing an Angel” reached number 15 on the Billboard Hot 100 chart in 1976. It peaked at number 3 on the Hot Soul Singles chart. “Heaven Must Be Missing an Angel”, with the track “Don’t Take Away the Music”, spent two weeks at number 1 on the Hot Dance Club Play chart. It became the group’s only Gold record.

The song would also afford the group an international chart hit, reaching number 1 in the Netherlands, and charting in Australia, Canada, the UK, and South Africa.

Gonna Raise Hell by Cheap Trick – “Gonna Raise Hell” is a song written by Rick Nielsen and originally released on Cheap Trick’s 1979 album Dream Police. The subject of “Gonna Raise Hell” has been disputed but composer Rick Nielsen claims that the song is about “religious, political and nuclear fanatics.”

FUN FACT: Controversy: It has been said that “Gonna Raise Hell” contains a hidden satanic message. Using back-masking, it was claimed you can hear, “You know Satan holds the key to the lock” when played backwards.

Heaven & Hell by Black Sabbath – “Heaven and Hell” is the title track to Black Sabbath’s ninth studio album of the same name, released in April 1980. The music was written mainly by Tony Iommi, but as with almost all Black Sabbath albums, credit is given to the entire band. The lyrics were written entirely by then newcomer Ronnie James Dio.

In an interview for VH1’s “Heavy: The Story of Metal”, Dio stated that the song is about the ability of each human being to choose between doing good and doing evil, essentially that each person has “heaven and hell” inside themselves.

Heaven on Earth by Boston – In case you aren’t already familiar with this band, Boston is an American rock band from Boston, Massachusetts, who had their most notable successes during the 1970s and 1980s. Centered on multi-instrumentalist founder and leader Tom Scholz, who played the majority of instruments on the debut album, the band is a staple of classic rock radio playlists.

“Heaven on Earth” is the opening track of Life, Love & Hope, Boston’s sixth studio album and their first studio set in eleven years. Released in December 2013, the songs on Life, Love & Hope were all meticulously recorded to analog tape on the same machines and equipment that have been used since Boston’s early tunes.

Tom Scholz, the founder and only remaining original member of the band Boston, is credited with all the instruments, harmony and backing vocals on the song.

Of the album’s style, Matt Wardlaw of Ultimate Classic Rock says “‘Life, Love & Hope’ carries remnants of those early days in its sound — which is unmistakable from the moment the soaring harmonies kick in on ‘Heaven on Earth,’ the album’s opening track and lead single. It provides a vintage moment on an album that otherwise contains quite a bit of exploration, both musically and sonically — something that we’ve come to expect from Tom Scholz when he’s working in the backroom on new Boston music.

Holding on to Hell by Gin Wigmore – Gin Wigmore is a singer and songwriter from New Zealand. She is known for her high-pitched and raspy voice. “Holding on to Hell” is a track from her 2015 Blood to Bone album.

Wigmore said regarding the song’s meaning: “It’s about holding onto the past and not wanting to let go.” Trust me, I know all about that one!

Heaven by Depeche Mode – “Heaven” is a song by English electronic music band Depeche Mode, released as the lead single from their thirteenth studio album, Delta Machine (2013). Written by Martin L. Gore and produced by Ben Hillier, the song was world-premiered on KROQ’s morning show Kevin and Bean on January 30, 2013.

In June 2013, the single was certified gold by the Federazione Industria Musicale Italiana (FIMI), denoting downloads exceeding 15,000 units in Italy. In the UK, by contrast, the single reached #60, the first initial single from a Depeche Mode album to fail to reach the UK Top 40.

The music video for “Heaven” was directed by Timothy Saccenti and filmed in November 2012 at The Marigny Opera House, a former Catholic church in New Orleans’s Faubourg Marigny. The video’s look was inspired by Terence Malick’s 2011 film The Tree of Life, with its beautiful yet twisted, dark imagery. “Mainly it’s a performance video, which we haven’t done in a long time”, said Dave Gahan, co-songwriter for Heaven’s B-side “All That’s Mine.”

Heaven and Hell by The Who – “Heaven and Hell” is a song by English rock band The Who written by group bassist John Entwistle. The studio version (originally recorded for an April 1970 BBC session), which appeared on the B-side of the live “Summertime Blues” single, is currently available only on the Thirty Years of Maximum R&B boxed set and Who’s Missing, though several live versions of the song exist on official releases. The song was one of many Entwistle B-side singles and one of his live staples.

The song’s lyrics talk of the places known as heaven and hell. The song describes heaven as “a place where you go if you’ve done nothing wrong.” And hell as “a place where you go if you’ve been a bad boy”

John Entwistle stated his stance on heaven and hell in an interview:

The last lyric ballot of the song: ‘Why can’t we have eternal life, And never die, Never die?’

“I’ve always been obsessed with the idea of Heaven and Hell. Not obsessed that it’s true, but just obsessed that it’s sort of legend, there’s such a person as the devil.

Heaven’s Wall by Bruce Springsteen – This out-and-out gospel rocker couched in Biblical language is most likely an outtake from Springsteen’s proposed gospel album, which he eventually scrapped for the more political Wrecking Ball. However, Springsteen felt it deserved a proper studio recording and gave the demo to producer Ron Aniello to play around. Aniello told Rolling Stone: “On ‘Heaven’s Wall’ we took the basic track and jumped on there with overdubs. That’s pretty much the original, vocal, drum and bass.”

High Hopes is the eighteenth studio album by American recording artist Bruce Springsteen, released January 14, 2014, on Columbia Records. The album was Springsteen’s 11th #1 album in the United States, placing him third all-time for most No. 1 albums only behind The Beatles and Jay-Z. It was his tenth No. 1 in the UK, putting him joint fifth all-time and level with The Rolling Stones and U2. Rolling Stone named it the second-best album of 2014 on their year-end list.

Bat Out of Hell by Meatloaf – “Bat Out of Hell” is a song written by Jim Steinman, an American composer, lyricist, record producer and playwright, for the 1977 album Bat Out of Hell and performed by Meat Loaf. It was released as a single in 1979, and again in 1993.

Like all of Meat Loaf’s hits, this was written by pianist Jim Steinman. He said he wrote this to be the ultimate “Motorcycle crash song.” The lyrics refer to a rider being thrown off his bike in a wreck and his organs exposed:

And the last thing I see is my heart still beating

Breaking out of my body and flying away

Like a bat out of hell

Of course, the expression “bat out of hell” means real fast. The song was inspired by teenage tragedy songs such as “Leader of the Pack”, “Terry” and “Tell Laura I Love Her”, the latter being the first single Jim Steinman had ever bought. Steinman wanted to write the “most extreme crash song of all time”:

“There is something so thrilling to me about that operatic narrative that involves a cataclysmic event, especially one so perfectly in tune with a teenager’s world, and rock and roll, as a car or motorcycle crash.”

On a musical and thematic level, “Bat Out of Hell”, both single and album, are often compared to the work of Bruce Springsteen, particularly the Born to Run album, and especially the song “Thunder Road”. Steinman says that he finds that “puzzling, musically,” although they share influences. “Springsteen was more an inspiration than an influence.” A BBC article suggested, “…the fact that Max Weinberg and Roy Bittan from Springsteen’s E Street Band played on the album only helped reinforce the comparison.”

According to Meat Loaf, the song is “constructed from” a shot near the beginning of Alfred Hitchcock’s Psycho in which the viewer looks down a valley and sees the lights of a city. He says all the clients in the Bates Motel “wish they would have left like a bat out of hell… It had nothing to do, believe it or not, with Bruce Springsteen. It had to do with Alfred Hitchcock and Psycho.”

FUN FACT: The motorcycle sound in the middle of the song is producer Todd Rundgren on electric guitar. Todd hated the idea at first, but Steinman begged him until he did that and the subsequent solo in one take.

Heaven Is In Your Mind by Traffic – “Heaven Is In Your Mind” was written by Jim Capaldi (drummer), Steve Winwood (vocal frontman), and Chris Wood (saxophonist and flutist) of Traffic. It was released on their debut album Mr. Fantasy in 1967.

This song, with its trippy stereo channel shifts, wandering melody, and eccentric mixing, is a good example of early Traffic. Mr. Fantasy is widely regarded as their least mainstream effort; by their second eponymous album, they’d ironed out their rough edges and aimed more for mainstream psychedelic rock. Although the “psychedelic” part limited their success in the UK, they enjoyed better success in the US.

Music fans today don’t seem to recognize Traffic for the influential group that they were. For starters, Rolling Stone ranks Steve Winwood #33 in its 100 Greatest Singers of All Time. Winwood has also been a member of the bands the Spencer Davis Group, Traffic, Blind Faith, and Go, winning multiple Grammy awards in the process. Chris Wood, growing up in Birmingham, England, jammed with the likes of Christine McVie of Fleetwood Mac, and Carl Palmer of Emerson, Lake & Palmer; he also played with Jimi Hendrix on Electric Ladyland. Jim Capaldi played and collaborated with such famous names as Jimi Hendrix, Eric Clapton, George Harrison, and Carlos Santana. And singer/guitarist Dave Mason has played alongside Jimi Hendrix, Michael Jackson, The Rolling Stones, Eric Clapton, George Harrison, Fleetwood Mac and Cass Elliot. That’s Winwood, Wood, Capaldi, and Mason of Traffic. If it happened in music in the ’60s-to-’80s, they were there.

What the Hell is Goin’ On by Elvin Bishop – I haven’t heard much about Elvin Bishop since his 1976 hit “Fooled Around and Fell In Love” which was one of my favorites back then and it still is. I came across this particular Elvin Bishop song researching the theme and liked it. So who is Elvin Richard Bishop? He was born October 21, 1942 and is an American blues and rock music singer, guitarist, bandleader, and songwriter. An original member of the Paul Butterfield Blues Band, he was inducted into the Rock and Roll Hall of Fame as a member of that group in 2015 and the Blues Hall of Fame in his own right in 2016.

In 1968, Elvin Bishop left Butterfield’s band following the release of In My Own Dream. He launched a solo career and relocated to the San Francisco area, where he made frequent appearances at the Filmore with artists like Eric Clapton, B. B. King, Jimi Hendrix, and the Allman Brothers Band. He has released several records over the years, including the one that this song is on, Gettin’ My Groove Back, released in 2005 via Blind Pig Records (that’s a new one to me).

The Edge of Heaven by Wham! – “The Edge of Heaven” is a song by British pop duo Wham!, released on Epic Records in 1986. It was written by George Michael, one half of the duo, and was promoted in advance as Wham!’s farewell single, during their 1985 “Whamamerica” tour. With the known desire of George Michael to move into a more adult market, Wham! had announced in the spring of 1986 that Michael and his musical partner Andrew Ridgeley would go their separate ways after a farewell single, album and concert. The album was called The Final and the concert was held in front of 72,000 fans at London’s Wembley Stadium on Saturday 28 June 1986.

The single, a five-minute tale of emotional and physical frustration within a relationship, was a slick and upbeat — albeit harder-edged than earlier works — pop tune which became the fourth and final No. 1 in the UK Singles Chart and the final US Top Ten hit, reaching #10 for the duo. Elton John, a friend of Michael and Ridgeley, played piano on the track.

FUN FACT: Michael has said the lyrics to the song were “deliberately and overtly sexual, especially the first verse”. The reason for this, he says, was he thought no one would care “because no one listens to a Wham! lyric. It had got to that stage.” Yikes.

What the Hell Did I Say by Dierks Bentley – “What the Hell Did I Say” is a song co-written and recorded by country music artist Dierks Bentley. It was released in June 2017 as the fourth single from his 2016 album Black. This is the second collaboration by Bentley, Kear and Tompkins, following the highly successful No. 1 single “Drunk on a Plane”. However, unlike “Drunk”, this song underperformed and became the lowest charting single of Bentley’s career. Underperformed or not, I still really like it.

Something Happened on the Way to Heaven by Phil Collins – “Something Happened on the Way to Heaven” is a song performed by Phil Collins and released in 1990, from the album …But Seriously. The song reached the #4 spot on the Billboard Hot 100 charts that same year. A live performance of the song also appears on the Serious Hits… Live! album. The song was written by Phil Collins and Daryl Stuermer and was produced by Phil Collins and Hugh Padgham. The song was originally written for the movie War of the Roses.

The only time the title of the song is used is the second line of the third verse. The song is often identified by the recurring hook of “How many times can I say ‘I’m sorry’?”

Music Video: A dog is napping in a meadow, dreaming of being in a silent movie in which it saves a woman tied to a set of railroad tracks from being run over by a train. The opening of the song is heard faintly in the distance, coming from the open back door of a concert hall, and the dog wakes up and ventures inside. Here, Collins and his band do a sound check and then perform the song as the dog explores the facility, eating from the band’s buffet table, climbing among the catwalks, and sitting briefly at an unused keyboard and drum kit. These sequences are intercut with shots from the dog’s black-and-white perspective, including a brief dream in which it sits at a formal table loaded with food.

At two different times, the dog relieves itself onstage, first by defecating near one of the backing singers – only discovered when he steps in the resulting mess – then later by urinating on the bassist’s leg. The latter occurs near the end of the song, and the video ends after Collins smiles and wipes the bassist’s shoe with a towel.

You Gotta Go Through Hell by George Strait – This is one of two new songs that George Strait recorded for his Strait Out of the Box: Part 2 box set. The singer also penned the song with frequent collaborator Dean Dillon and his son, Bubba.

The song features the legendary session guitarist Brent Mason. After listening to the recording, Strait said it brought to mind “Bad Things” by Jace Everett, which is the theme song from the HBO show, True Blood. Said George about Brent: “…he’s an amazing guitar player and the guitar part – well, all of his guitar parts are amazing. He plays on a lot of my sessions and most everything that I do.”

Redneck Heaven by Billy Ray Cyrus – from Billy Ray Cyrus’ 1994 album Storm in the Heartland. Although the album produced a few hits, two of which entered the Hot Country charts, there was critical reception of the rest of it. I got a kick out of this critic’s comment: Giving it a “C”, Alanna Nash of Entertainment Weekly wrote that Cyrus “sticks to the tried-and-true” but added that “the yahoo factor figures heavily on ‘Redneck Heaven’…’ Cyrus misses his notes by a mile. An achy-breaky embarrassment.” Gotta love that last line, “an achy-breaky embarrassment.” haha

Heaven On Earth by Melissa Etheridge – “Heaven On Earth” is a track from Fearless Love, the eleventh studio album by American rock/pop musician Melissa Etheridge, released in April 2010. Etheridge said in an interview the album is “about being fearless. It’s about choosing love over fear. It’s a way, a philosophy of living life that suits me well.”

Fearless Love was widely viewed as Etheridge’s “return to rock” after a more introspective and blues-influenced album in The Awakening. I really like this song. What do you think of it? Are you a fan of Melissa Etheridge’s work? I definitely like her rock style best (surprise, right?).

Heaven Knows by Donna Summer – “Heaven Knows” is a song by American singer and songwriter Donna Summer, with guest vocals from Brooklyn Dreams released at the height of her fame during the 1970s disco era. It is adapted from the Live and More album where it is a part of the MacArthur Park Suite. It became a number 4 hit for Summer in the US the week of March 17, 1979, and held there for 3 weeks.

FUN FACT: A 1984 episode of Gimme a Break (remember that show??) features Nell Carter and guest star Ray Parker, Jr. performing a duet of the song.

FUN FACT: In 2013, following Donna Summer’s death, Nadia Ali (with Dave Audé) released a downtempo acoustic cover as a tribute:

Heaven by 3 Doors Down – By the American rock band 3 Doors Down, “Heaven” appears on the fifth studio album Time of My Life which was released in the summer of 2011. The album debuted at #3 on the Billboard 200 and sold 59,800 copies in its first week of its release. The singles from the album included “When You’re Young”, “Every Time You Go”, “What’s Left”, “Back to Me”, and the title track “Time of My Life”. It is the last album to feature Matt Roberts before his departure from the band in 2012 and his death in 2016, as well as the last for Todd Harrell before he was arrested for vehicular homicide and fired from the band in 2013.

Wear Your Love Like Heaven by Peggy Lipton – We lost an iconic angel earlier this month when it was announced that Peggy Lipton died on Saturday May 11th. Diagnosed with colon cancer and treated in 2004, she ultimately succumbed to the disease. She was well known through her role as undercover hippie cop Julie Barnes in the counterculture television series The Mod Squad (1968–1973), for which she earned four Emmy nominations and won the Golden Globe Award for Best Actress – Television Series Drama in 1970. Her five-decade television, film, and stage career included many roles, including Norma Jennings in David Lynch’s surreal cult favorite, Twin Peaks.

I’m a huge Mod Squad fan and in fact have several seasons saved on a DVR. I had no idea she was a singer until I came across this song by her. She has a pretty voice. Very fitting for that flower child image that she has always carried.

FUN FACT:  Peggy Lipton was married to music producer Quincy Jones from 1974 to 1990. The couple had two daughters, Kidada Jones and Parks and Recreation actress Rashida Jones. After the Mod Squad series ended, Lipton went on to enjoy a singing career, with three of her singles hitting the Billboard charts, according to Entertainment Weekly.

Tears in Heaven by Eric Clapton – “Tears in Heaven” is a song by Eric Clapton and Will Jennings. Its lyrics were inspired by the death of Clapton’s four-year-old son, Conor, who fell from a New York apartment building on March 20, 1991. It appeared on the soundtrack of the 1991 film Rush.

The song was Clapton’s best-selling single in the United States and reached number two on the Billboard Hot 100. It won three Grammy Awards for Best Pop Vocal Performance, Male, Song of the Year, and Record of the Year.

In August 1990, Clapton’s manager, two of his roadies and his friend and fellow musician Stevie Ray Vaughan were killed in a helicopter accident. On March 20, 1991, Clapton’s 4-year-old son Conor died after falling from the 53rd-floor window of a New York City apartment belonging to Conor’s mother’s friend.

After isolating himself for a period, Clapton began working again, writing music for the film Rush (1991). He dealt with the grief of his son’s death by cowriting “Tears in Heaven” for the soundtrack with Will Jennings. In an interview with Sue Lawley in 1992, Clapton said of the song, “There is a song that I’ve written for a movie, but in actual fact it was in the back of my head but it didn’t really have a reason for being until I was scoring this movie which I did a little while ago and then it sort of had a reason to be. And it is a little ambiguous because it could be taken to be about Conor but it also is meant to be part of the film.”

In an interview with Daphne Barak, Clapton stated “I almost subconsciously used music for myself as a healing agent, and lo and behold, it worked… I have got a great deal of happiness and a great deal of healing from music.”

Fast-forward a few years: Clapton made numerous public service announcements to raise awareness for childproofing windows and staircases. Clapton stopped performing “Tears in Heaven” in 2004, (as well as the song “My Father’s Eyes”), stating: “I didn’t feel the loss any more, which is so much a part of performing those songs. I really have to connect with the feelings that were there when I wrote them. They’re kind of gone and I really don’t want them to come back, particularly. My life is different now. They probably just need a rest and maybe I’ll introduce them for a much more detached point of view.”

Knockin’ On Heaven’s Door by Bob Dylan – And finally, the real Bob Dylan singing his fabulous song. Enjoy!

So that’s a wrap with my Heaven and Hell songs. I hope some of these brought back memories for you, like so many of them do for me. As well I hope some of these songs are new to you and that you like them. I almost want to say that there are countless Heaven and Hell songs out there but of course that’s not true. But there sure are a ton of them. The ones I presented here are one that played a vital role in my own personal life soundtrack or ones that I discovered and like.

Tell me, what are your favorite Heaven and Hell songs?

And don’t forget: Monday’s Music Moves Me (4M) is a blog hop hosted by Marie of X-Mas Dolly, and co-hosted by Cathy of Curious as a Cathy and Stacy of Stacy Uncorked and Colette of Jamerican Spice and Alana of Ramblin’ with AM. Be sure to stop by and visit the hosts and the other participants listed below:

 

Monday’s Music Moves Me – Spotlighting the 2019 Rock & Roll Hall of Fame Inductees

Wow, it feels weird jumping right back into a blog hop after having been MIA for so many months. Life has been challenging these last few months, in so many ways, and one of these days I might do a post about it all. But before anything, I want to say how much I’m looking forward to reconnecting with all of you. I’ve missed you guys! And please don’t take my absence and my lack of visits to your blogs personally; I didn’t visit anybody. I may have dropped in once or twice to a couple of folks but essentially I was completely off the blogging grid.

I was so off the grid that when I was tweaking some of my pages the other day I literally forgot how to do things, like work with theme menus and even —shocking! —- I had to do a refresher on creating a YouTube playlist! Talk about coming out of the fog!

Anyway, I’m excited that May is my month to be guest co-host and conductor to the Monday’s Music Moves Me hop. Thank you all for your thoughts and prayers over this time and especially thank you to those who dropped in to check on me and say hi with an email or Facebook message. I truly appreciated those connections.

I’m going to ease back into this slowly, for my own sanity (and probably to the relief of many of you out there!) 😆 So let’s do this already!

This first Monday in May is a 4M Freebie, meaning there is no specific theme to follow and we can present any kind of music we want.

I was channel-surfing the other night and happened upon HBO which was airing the 34TH ANNUAL ROCK & ROLL HALL OF FAME INDUCTION CEREMONYNaturally that stopped me in my tracks and I watched and enjoyed the whole thing. During the show I decided to feature the 2019 Inductees for my Freebie feature.

In case you missed it, this year’s Rock & Roll Hall of Fame Induction Ceremony was held at Barclays Center in Brooklyn NY on March 29th. For those who may not be familiar, the Rock and Roll Hall of Fame, located in downtown Cleveland, Ohio, on the shore of Lake Erie, recognizes and archives the history of the best-known and most influential artists, producers, engineers, and other notable figures who have had some major influence on the development of rock and roll. The Rock and Roll Hall of Fame Foundation was established on April 20, 1983, by Ahmet Ertegun, founder and chairman of Atlantic Records. In 1986, Cleveland was chosen as the Hall of Fame’s permanent home. (On a side note, my favorite Sirius XM Radio station, Classic Vinyl, (channel 26) is broadcast live 24/7 from the R&R Hall of Fame in Cleveland. Having spent a number of years of my career working in radio (at stations in Washington DC and Austin, Texas), whenever I hear the on-air personalities mention where they are broadcasting from, I always think how cool it would be to work for a radio station located inside the R&R Hall of Fame! That’s some major atmosphere there.)

This year’s inductees are, in no particular order:

• The Cure

• Def Leppard

• Janet Jackson

• Stevie Nicks

• Radiohead

• Roxy Music

• The Zombies

The show was quite good, with several decent performances and some interesting and inspiring acceptance speeches. You can find many of them on YouTube. I’m including the one that impressed me the most, mainly because I learned something about one of the band members that I was surprised I didn’t know already. More on that later.

My playlist today features my favorite songs by the 2019 Inductee artists. I hope you enjoy it. Without further ado, here is some great rock and roll for your listening pleasure. It’s a long playlist so you can just hit Play All and listen to great songs by these inductees or go through the list and pick out which ones you want to hear. There are some neat videos too so be sure to check them out. As far as the videos goes, I’m curious to find out which is your favorite.

 

That was some great rock and roll, no? You can find the performances from the Induction Ceremony event online. There are lots of YouTube videos of the various performances and speeches from that night. Here’s the induction speech that I liked best, from lead singer Joe Elliot of Def Leppard. Below is the entire speech and it’s really good, particularly starting at the 5:00 minute mark, when Joe talks about the band’s rise to success, the tragedies endured and the strength and loyalty that kept them together all these years. It gave me a whole new appreciation of Def Leppard.

As to what I didn’t already know about this group: I noticed while Def Leppard was performing during the ceremony that the drummer, Rick Allen, didn’t have his left arm.  Then his car accident that caused the loss was referenced in Joe’s speech. The accident happened at the end of 1984 and I wondered how in the world I hadn’t heard about that news, being so tapped into rock as I was back then. But that was also the month that I graduated from college and was preoccupied with moving from Ohio back to my home in Niagara Falls. I was curious so I dug around online for some info and found some fabulous interviews with Rick Allen after his accident and recovery. His story is beyond inspirational.

The basic facts of the accident (per Wikipedia):

On the afternoon of 31 December 1984, Allen was involved in a car accident with his then-girlfriend Miriam Barendsen on the A57 road in the countryside a few miles west of Sheffield.While trying to pass another car at a high speed, he lost control of his Corvette C4, which hit a dry stone wall and entered a field. He was thrown from the car because his seatbelt had been improperly fastened, causing his left arm to be severed. His girlfriend suffered head, neck and spine injuries from severe whiplash. Doctors initially reattached Allen’s arm, but because of an infection, it had to be re-amputated. His right shoulder was also severely broken in the accident.

There is a good series of interviews with Rick talking about his accident, the devastation of a drummer losing an arm and how that might surely be the end of his career and his place in the band, but how he overcame it and continued to play drums using his left foot as a substitute for his missing limb. It’s really incredible so if you’re interested in seeing the 3-part interview video series, here they are:

Fighting Back, Part 1:

Fighting Back, Part 2:

Fighting Back, Part 3:

 

So that’s it from this end. Thanks for letting me come back into the group and kick off my comeback as your 4M conductor/co-host for the month of May. Next week will be my theme of songs about body parts (or with body parts in the title). Hope to see you for that. And I’m looking forward to making the rounds this week to check out your Freebie posts and to reconnect with you all.

Monday’s Music Moves Me (4M) is a blog hop hosted by Marie of X-Mas Dolly, and co-hosted by Cathy of Curious as a Cathy and Stacy of Stacy Uncorked and Colette of Jamerican Spice and Alana of Ramblin’ with AM. Be sure to stop by and visit the hosts and the other participants listed below:

 

Monday’s Music Moves Me: Unlikely Duets

Yay, it’s Monday! Normally I hate Mondays but not lately because Mondays mean music! It’s Monday’s Music Moves Me blog hop and today’s honorary co-host is Stacy from Stacy Uncorked. Her theme for this week is “Unlikely Duets“. I thought I’d have a little fun with this one so here are some unlikely duets that you should enjoy.

Johnny Cash and Miss Piggy sing “Jackson”

Rita Moreno & Animal do “Fever” — this one is adorable:

The Goo Goo Dolls & Elmo sing “Pride”

Elton John and Miss Piggy sing “Don’t Go Breaking My Heart”

Debbie Harry (lead singer of Blondie) and Kermit the Frog sing “Rainbow Connection”

There is also a duet of Miss Piggy and Ozzy Osborne doing “Born to Be Wild” but I couldn’t find a decent video of it.

Since that video quality sucked, I didn’t want to deny you Black Sabbath fans so here’s Beaker and the Muppets rock band doing War Pigs:

This is exactly a duet but it’s funny. Enjoy this Sesame Street 80s Music Mashup Parody:

 

Hope you enjoyed these unlikely and silly duets. Monday’s Music Moves Me (4M) is a blog hop hosted by Marie of X-Mas Dolly, and co-hosted by Cathy of Curious as a Cathy and Stacy of Stacy Uncorked and Colette of Jamerican Spice and Alana of Ramlin’ with AM. Be sure to stop by and visit the hosts and the other participants listed below:

 

 

Monday’s Music Moves Me – Songs About Aging & Getting Old(er) – Part 4 of 4: TIME TRAVEL

It’s the final Monday in this month of October and I’ve been thrilled to be the Honorary Co-Host of the Monday’s Music Moves Me blog hop. I’d like to thank Marie and all the other hostesses, Cathy, Alana, Stacy & Collette, for such a warm welcome into the circle of 4M co-hosting. I’d also like to thank all the 4M participants for playing along with my two themes this month. I hope you all have had as much fun with them as I have. This final week is a Freebie and I’m looking forward to seeing what you all have put together. My freebie offering is the last of my Songs About Aging and Getting Old(er) Series.

Today’s post is PART 4 of my SONGS ABOUT AGING AND GETTING OLD(er) Series. If you missed Part 1, entitled Time Passages, you can check it out here. Part 2 was about one of my favorite things to do: Reminiscing. Check it out here. And Part 3 is titled something that I find myself saying all too often lately, Gettin’ Old Ain’t for Sissies! and can be found here.

As for the series’ finale, Part 4 songs explore traveling through life’s paths with all its twists and turns along the way. Join me in a playlist of fabulous time-traveling songs.

TIME TRAVEL

Here is a list of the songs in this playlist, with a little background info for ya:

The Long and Winding Road by The Beatles (1970) – “The Long and Winding Road” is a song by the English rock band the Beatles from their 1970 album Let It Be. It was written by Paul McCartney and credited to Lennon–McCartney. When issued as a single in May 1970, a month after the Beatles’ break-up, it became the group’s 20th and last number-one hit on the Billboard Hot 100 chart in the United States. It was the final single released by the world’s most famous quartet, commonly referred to as the Fab Four.

FUN FACT: Paul McCartney offered this song to Tom Jones in 1968 on the condition it be his next single. He had “Without Love (There is Nothing)” set for release so he turned down the offer, something he would later regret. Speaking with Media Wales in 2012, Jones explained: “I saw him (McCartney) in a club called Scotts Of St. James on Jermyn Street in London. I said to him ‘When are you going to write me a song then Paul?’ He said, ‘aye I will then.’ Then not long after he sent a song around to my house, which was ‘The Long And Winding Road,’ but the condition was that I could do it but it had to be my next single.

Paul wanted it out straight away. At that time I had a song called ‘Without Love’ that I was going to be releasing. The record company was gearing up towards the release of it. The timing was terrible, but I asked if we could stop everything and I could do ‘The Long And Winding Road.’ They said it would take a lot of time and it was impractical, so I ended up not doing it. I was kicking myself. I knew it was a strong song.”

“Without Love” did well for Jones – it reached #5 in the US and #10 in the UK, but didn’t have anywhere near the staying power of this Beatles classic. Jones did eventually record a Paul McCartney song, but not until 2012 when Paul wrote “(I Want To) Go Home,” which was released on Jones’ album Spirit in the Room.

FUN FACT: This was the only Beatles song where John Lennon played bass. He was ordinarily their rhythm guitarist. Harrison and Ringo had their parts removed by Phil Spector, so they don’t appear on this at all.

This Train Don’t Stop There Anymore by Elton John (2001) – This piano ballad finds Elton John in a reflective mood, looking back on his past glories and thinking about how he feels now. Using a railroad metaphor, he sings about how he used to be a huge star (“the main express”), but now he’s done with those days (“this train don’t stop there anymore”).

These are not the words of Elton John, but of his lyricist, Bernie Taupin, who throws light on one side of Elton’s personality. His days of high excess may have ended, but Elton’s train kept going and making lots of stops along the way, as he kept touring, continuing to put on grand performances.

The song has a very memorable video directed by David LaChapelle and starring Justin Timberlake as a young Elton John at the height of his fame. Timberlake walks in slow motion as he lip-syncs the track, mingling with fans and industry associates along the way. Paul Reubens also appears in the clip.

Stop This Train by John Mayer (2006) – The song “Stop this Train” was written during a time of, what Mayer calls, “solitary refinement;” He was in bed suffering from double kidney stones and living in a hotel while finding a new residence. He explained to the Daily Mail December 21, 2007 that this song about getting older touched on a time when he suffered from a ‘quarter-life crisis’ in 2001: “My 20s were so great I could have rented them out. But, at 27, I crashed. Now, at 30, I’m more settled.”

My Generation by The Who (1965) – from the My Generation album this song is the Who’s most recognizable song. A nod to the mod counterculture of the time, one outstanding line in the lyrics is “I hope I die before I get old.” In 1965, Roger Daltrey stood by this song’s lyric and claimed he would kill himself before reaching 30 because he didn’t want to get old. When he did get older, he answered the inevitable questions about the “hope I die before I get old” line by explaining that it is about an attitude, not a physical age.

Pete Townshend wrote this for rebellious British youths known as “Mods.” It expressed their feeling that older people just don’t get it. The song has been said to have “encapsulated the angst of being a teenager.” Townshend wrote this on a train ride from London to Southampton on May 19, 1965 – his 20th birthday. In a 1987 Rolling Stone magazine interview, Townshend explained: “‘My Generation’ was very much about trying to find a place in society. I was very, very lost. The band was young then. It was believed that its career would be incredibly brief.”

Incredibly brief it was for The Who drummer Keith Moon: he died of a drug overdose in 1978 at age 32.

Back in 1967, Pete Townshend called this song “The only really successful social comment I’ve ever made.” Talking about the meaning, he explained it as “some pilled-up mod dancing around, trying to explain to you why he’s such a groovy guy, but he can’t because he’s so stoned he can hardly talk.”

Roger Daltrey sang the lead vocals with a stutter, which was very unusual. After recording two takes of the song normally, their manager Kit Lambert suggested to Daltrey that he stutter to sound like a British kid on speed. Daltrey recalled to Uncut magazine October 2001: “I have got a stutter. I control it much better now but not in those days. When we were in the studio doing ‘My Generation’, Kit Lambert came up to me and said ‘STUTTER!’ I said ‘What?’ He said ‘Stutter the words – it makes it sound like you’re pilled’ And I said, ‘Oh… like I am!’ And that’s how it happened. It was always in there, it was always suggested with the ‘f-f-fade’ but the rest of it was improvised.”

The song was released as a single on October 29, 1965, reaching No. 2 in the UK, The Who’s highest charting single in their home country but it never cracked the Top 40 in America, reaching only No. 74. I found that an odd fact, given the song’s wild popularity and frequency of air-play.

Turn Turn Turn by the Byrds (1965) – “Turn! Turn! Turn!” – sometimes known as “Turn! Turn! Turn! (To Everything There Is a Season)” – is a song written by Pete Seeger in the late 1950s. The lyrics, except for the title, which is repeated throughout the song, and the final two lines, are adapted word-for-word from the English version of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally released in 1962 as “To Everything There Is a Season” on folk group the Limeliters’ RCA album Folk Matinee and then some months later on Seeger’s own The Bitter and the Sweet.

The song became an international hit in late 1965 when it was adapted by the American folk rock group the Byrds. The single entered the record chart at number 80 on October 23, 1965, before reaching number one on the Billboard Hot 100 chart on December 4, 1965. In Canada, it reached number three on Nov. 29, 1965, and also peaking at number 26 on the UK Singles Chart.

The song is notable for being one of a few instances in popular music in which a large portion of the Bible is set to music, other examples being the Melodians’ “Rivers of Babylon”, Sister Janet Mead’s “The Lord’s Prayer”, U2’s “40”, Sinead O’Connor’s “Psalm 33” and Cliff Richard’s “The Millennium Prayer”.

The song’s plea for peace and tolerance struck a nerve with the American record buying public as the Vietnam War escalated. The single also solidified folk rock as a chart trend and, like the band’s previous hits, continued the Byrds’ successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar playing. Pete Seeger expressed his approval of the Byrds’ rendering of the song.

A Hazy Shade of Winter by Simon & Garfunkel (1966) – “A Hazy Shade of Winter” is a song by American music duo Simon & Garfunkel, released on October 22, 1966 initially as a stand-alone single, but was subsequently included on the duo’s fourth studio album, Bookends (1968). The song peaked at number 13 on the Billboard Hot 100.

Paul Simon wrote the song and uses seasons as a metaphor for the cycle of life. Dating back to Simon’s days in England in 1965, the song follows a hopeless poet, with “manuscripts of unpublished rhyme”, unsure of his achievements in life.

Like “Turn, Turn, Turn”, this is another song that uses the ebb and flow of nature as a metaphor for the cycle of life. Now in the winter of life, or old age, the central character reflects on the “springtime” of his youth and decisions he made. The singer seems to be lamenting how he was looking for something (or someone) perfect, but never found it, and now time is running out on his dreams.

The lyrics recall the transition from fall to winter, repeated in the final chorus of the song:

I look around,
leaves are brown
And the sky
is a hazy shade of winter

Look around,
leaves are brown
There’s a patch of snow on the ground.

Fade In/Fade Out by Nothing More (2017) – Nothing More is an American rock band from San Antonio, Texas. Formed in 2003, the band spent much of the 2000s recording independent albums and struggling to maintain a steady lineup or attract record label interest. Towards the end of the decade, the band’s long-time drummer, Jonny Hawkins, decided to switch to being the band’s frontman and lead vocalist, stabilizing the band’s core lineup along with other long-time members Mark Vollelunga (guitar) and Daniel Oliver (bass). The band self-funded and recorded their fourth studio album, Nothing More, over the course of three years and used it to gain the attention of Eleven Seven Music record label, who signed the band to a five album record contract upon hearing it. The album became the band’s breakthrough release in 2014, with multiple charting singles, including “This is the Time (Ballast)”, which hit number 1 on the Mediabase Active Rock chart and number 2 on the Billboard Mainstream Rock chart, and “Mr. MTV”, Jenny”, and “Here’s to the Heartache” all charting in the top 15 of both charts.

The band began working on a follow-up in 2016 while continuing to tour in support of their self-titled release, and in September 2017, released their fifth studio album – their second on a major record label – The Stories We Tell Ourselves.

“Fade In/Fade Out” is from that album. Said Mark Vollelunga:

“I got the idea for this song when my wife and I finally decided on the name of our son, Fenix. I can only hope that my fire continues to burn in him long after I fade out; the same fire my father passed on to me. May we all remember our parents and never let words or feelings left unsaid. Don’t let it be too late.”

Yesterday, When I Was Young by Roy Clark (1969) – French singer-songwriter Charles Aznavour wrote and recorded this in 1964 as “Hier Encore,” or “Only Yesterday.” Herbert Kretzmer wrote the English-language lyrics that tell of a man reflecting on his life. He recounts how he had wasted his youth on self-centered pursuits, and that, now that he is older, he will not be able to do all that he had planned; this implies that he may be close to his impending death.

Country singer Roy Clark, who had just started his long-running gig as the co-host of Hee Haw, covered the song in 1969 and landed in the Top 10 on the country chart. Peaking at #19, this was Clark’s highest-charting hit on the pop tally and his only entry in the Top 40. In Canada, the song reached #7 on the pop chart, #2 on the country chart, and #1 on the Adult Contemporary chart.

Clark’s spoken-word intro leads into a somber recollection of a wasted youth that led to a lonely adulthood:

It seems the love I’ve known

Has always been the most destructive kind

I guess that’s why now

I feel so old

Before my time

FUN FACT: Clark honored a request from Mickey Mantle and sang this at the former New York Yankee’s funeral in 1995.

Young at Heart by Frank Sinatra (1953) – This pop standard was written by Johnny Richards and Carolyn Leigh. Originally an instrumental by Richards called “Moonbeam,” it became “Young at Heart” when Leigh added the lyrics. Frank Sinatra, who had been absent from the pop charts for a few years, came back with a million-selling hit when he was the first to record the song in 1953. Three years after releasing it as a single, he would include it on his 1956 album This Is Sinatra!

Sinatra’s friend and frequent arranger Nelson Riddle introduced him to the song. “Nelson told me he had a song that had been floating around Vine Street [Capitol Records] and other companies for weeks or months,” he recalled in Frank Sinatra: An American Legend by Nancy Sinatra. “‘I think it’s a good song,’ Nelson said, ‘but nobody wants to do it.’ I didn’t even ask him if I could hear it. I just said let’s do it, and it turned out to be ‘Young at Heart.’ We did a single, and it was a big hit.”

The single was so successful on the (pre-Billboard Hot 100) pop charts that the film Sinatra was working on with Doris Day was renamed Young at Heart. The song plays during the opening and closing credits.

Forever Young by Rod Stewart (1988) – “Forever Young” is the second single released by Rod Stewart from his Out of Order album in 1988. The song was a Top 20 hit on the Billboard Hot 100, peaking at #12, and #7 on the Canadian RPM Magazine charts.

The structure of the lyrics in this song is very similar to a Bob Dylan song of the same title. After its completion, the song was then sent to Dylan, asking whether he had a problem with it. The two men agreed to participate in the ownership of the song and share Stewart’s royalties.

Stewart wrote the song with two of his band members: guitarist Jim Cregan and keyboardist Kevin Savigar. Stewart told Mojo magazine in 1995 that he considered “Forever Young” to be one of his favorite songs and the reason for writing it was:

“I love ‘Forever Young’, because that was a real heartfelt song about my kids. I suddenly realized I’d missed a good five years of Sean and Kimberly’s life because I was so busy touring all the time. With these kids now I don’t make that mistake- I take them on tour with me, so I can watch them grow up. So that’s another favorite. Unfortunately, it wasn’t a big hit in England, but it’s like a national anthem here (America)”.

The video for this song features Stewart singing to a child [played by Alex Zuckerman] while scenes of rural America pass by.

Both Sides Now by Judy Collins (1968) – “Both Sides, Now” is one of the best-known songs of Canadian singer-songwriter Joni Mitchell. First recorded by Judy Collins, it appeared on the U.S. singles chart during the fall of 1968. The next year it was included on Mitchell’s album Clouds (which was named after a lyric from the song). It has since been recorded by dozens of artists, including Frank Sinatra, Willie Nelson and Herbie Hancock.

Shortly after Mitchell wrote the song, Judy Collins recorded the first commercially released version for her 1967 Wildflowers album. In October 1968 the same version was released as a single, reaching #8 on the U.S. pop singles charts by December. It reached #6 in Canada. In early 1969 it won a Grammy Award for Best Folk Performance. The record peaked at #3 on Billboard’s Easy Listening survey and “Both Sides, Now” has become one of Collins’ signature songs. Mitchell disliked Collins’ recording of the song, despite the publicity that its success generated for Mitchell’s own career.

FUN FACT: Judy Collins version is featured as the end title music of the 2018 supernatural horror film Hereditary, written and directed by Ari Aster, in his feature directorial debut. It stars Toni Collette, Alex Wolff, Milly Shapiro and Gabriel Byrne as a family haunted after the death of their secretive grandmother. It was acclaimed by critics, with Collette’s performance receiving particular praise, and was a commercial success, making over $79 million on a $10 million budget to become the American independent entertainment company A24’s highest-grossing film worldwide. I didn’t see this movie but I want to as I’m a Toni Collette fan.

It Was a Very Good Year by Frank Sinatra (1965) – Ervin Drake wrote this examination of the various stages of his love life – at ages 17, 21 and 35 – for The Kingston Trio in 1961, when he was 42 years old. Frank Sinatra’s 1966 cover is the preferred version, especially for the dignified way he sings the final verse, in which Drake imagines himself looking back from a ripe old age and realizing that every moment is as precious as the last: “Now I think of my life as vintage wine / From fine old kegs / From the brim to the dregs / It poured sweet and clear / It was a very good year.”

Sinatra’s version, with its dramatic vocals and lush instrumentation, won the Grammy Award for Best Vocal Performance, Male in 1966. Gordon Jenkins was awarded Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s) for the Sinatra version. This single peaked at #28 on the U.S. pop chart and became Sinatra’s first #1 single on the Easy Listening charts. That version can be found on Sinatra’s 1965 album September of My Years.

The song recounts the type of girls with whom the singer had relationships at various years in his life: when he was 17, “small-town girls on the village green”; at 21, “city girls who lived up the stair”; at 35, “blue-blooded girls of independent means”. Each of these years he calls “very good”. In the song’s final verse, the singer reflects that he is older, and in the autumn of his years, and he thinks back on his entire life “as vintage wine”. All of these romances were sweet to him, like a wine from a very good (i.e., vintage) year.

Ervin Drake’s inspiration to write the song was his then wife-to-be, Edith Vincent Bermaine. She was a showgirl, whom he had dated, and eventually married twenty years after the song was written. Said Ervin Drake on Sinatra’s rendition, arranged by Gordon Jenkins:

“Someone played it to me down a telephone. It wasn’t a great phone line, but I knew I’d heard a masterpiece, and I fell in love with it, and I’ve never stopped loving it.”

The song was covered by a great many over the years. In 1966, nine months after Sinatra charted with his rendition, Della Reese made #99 with her version, which flipped the gender and changed the lyrics appropriately (“Small town boys and soft summer nights,” “blue-blooded boys of independent means”).

FUN FACT: This was parodied on The Simpsons episode “Duffless” (1993) as Homer poured his beloved Duff beer down the drain. He sang:

When I was seventeen

I drank a very good beer

I drank a very good beer

I purchased with a fake I.D.

My name was ‘Brian McGee’

I stayed up listening to Queen

When I was seventeen…

Back in Time by Huey Lewis and the News (1985) – I would be remiss if I didn’t include this song in a collection called Time Travel. “Back in Time” is a song by Huey Lewis and the News written for and featured in the 1985 film Back to the Future, the top-grossing film of 1985. The song is heard near the end of the film when Marty McFly wakes up in his own bed, after returning from 1955, to the song playing on the radio. The lyrics are essentially a summary of the movie.

It is also played during the closing credits. Lewis wrote the song with his bandmates Johnny Colla, Chris Hayes and Sean Hopper specifically for the film, incorporating plot elements in the lyrics:

Tell me, doctor

Where are we going this time?

Is this the ’50s?

Or 1999?

In contrast to the band’s number-one hit from the movie, “The Power of Love”, the lyrics for “Back in Time” specifically refer to the story and characters of the film.

Although not released as a commercially available single, the song (mixed by Bob Clearmountain) reached number three in September 1985 on the Billboard Album Rock Tracks chart. The video for the song features bloopers and “never-before-seen” clips from the band’s other hit videos, including “I Want a New Drug”, “If This Is It”, “Heart of Rock & Roll”, and “Heart and Soul”.

100 Years by Five for Fighting (2003) – “100 Years” is a song by American singer John Ondrasik (born January 7, 1965), known by his stage name Five for Fighting. Best known for his piano-based rock, he adopted the name “Five for Fighting”, an ice hockey term that means a five-minute major penalty for participating in a fight. Ondrasik is a lifelong fan of the National Hockey League’s Los Angeles Kings.

“100 Years” was released in November 2003 as the first single from the album The Battle for Everything. The song’s melody is borrowed from “Plainsong” by The Cure, originally released in 1989. The single reached number one on the US Billboard Adult Contemporary chart and number 28 on the Billboard Hot 100.

This song is a simple reminder about how precious life is. How we should sink in every moment. How we should look up to what we have. John Ondrasik wrote the lyrics about his life: when he was 15 he couldn’t find a girl, at 22 he found the girl and got married, at 33 he had his first child.

The music video was directed by Trey Fanjoy and premiered in January 10, 2004. It placed at number 30 on VH1’s Top 40 Music Video Countdown of 2004, spending 18 weeks on VH1’s weekly Top 20 countdown. The video shows Ondrasik at a magic piano where he appears at various life stages: images of Ondrasik singing and playing the song at the piano are intercut with fictional, idealized versions of himself as a 15-year-old boy, a man in his middle 40s, and a 99-year-old man, reflecting the song’s lyrics. At the end of the song, Ondrasik meets his older self.

“The sea is high

And I’m heading into a crisis

Chasing the years of my life”

The Best is Yet to Come by HinderHinder is an American rock band from Oklahoma that was formed in 2001 by lead singer Austin Winkler, guitarist Joe “Blower” Garvey, and drummer Cody Hanson. The band released four studio albums with Winkler; Extreme Behavior (2005), Take It to the Limit (2008), All American Nightmare (2010) and Welcome to the Freakshow (2012). After Winkler left the band in 2013, they looked for a new lead vocalist, and added Marshal Dutton. When The Smoke Clears (2015) was Hinder’s first album featuring the new lead vocalist. The band was inducted into the Oklahoma Music Hall of Fame in 2007.

This song is from their 2008 album Take It to the Limit. Drummer Cody Hanson told MTV News that he thinks a lot of people will relate to this track, “because it’s a song about all those dumb things that you do when you’re young, and you just learn to embrace it, because that’s what happens in life – you learn from it, and things get better as you get older.”

It can be hard for musicians to pick just one of their favorite songs from their own catalogues because their songs are so personal, but in 2012, Cody Hanson told us that “The Best is Yet to Come” was one of his picks.

Hmm. The best is yet to come. Is it? Is it really?? You tell me…

* * * * * * * * * * * * * * * * *

And that concludes my series on Songs About Aging and Getting Old(er). As one who is painfully aware of the aging process of late, I’ve enjoyed exploring the songs that speak to life’s inevitable process. I hope you’ve enjoyed coming along on this journey with me. 

Monday’s Music Moves Me (4M) is a blog hop hosted by Marie of X-Mas Dolly, and co-hosted by Cathy of Curious as a Cathy and Stacy of Stacy Uncorked and Colette of Jamerican Spice and Alana of Ramlin’ with AM. Be sure to stop by and visit the hosts and the other participants listed below:

Monday’s Music Moves Me – Songs with Weird, Funky or Cool Instruments

It’s Monday and you know what that means: It’s time for Monday’s Music Moves Me. I’m honored to be serving as one of this month’s Co-Hosts. My final theme for the month, songs with unique or unusual instruments, is one I’ve been looking forward to working on for a few months now. And I bet none of you will be surprised that I’ve decided to turn it into a series. Haha. That’s right, welcome to Part 1 of my Songs with Weird, Funky and Cool Instruments series. At this point I haven’t yet decided on how many parts this series will have but I’ll figure that out soon.

I’m starting off with a simple and not very unusual instrument because when I chose the theme, this instrument was the first that came to mind. I’m also keeping it short because, well, some of you already know that I had a little bump in my road a few days ago. I fell on my deck, and as Murphy’s Law would have it, I fell on my GOOD shoulder. Most of you know that I had shoulder reconstruction surgery back in April due to two full-thickness tears in my rotator cuff that resulted from a fall, when I slipped on a still wet freshly mopped floor and my shoulder came crashing into the fireplace bricks. The surgery I had, arthroscopic superior capsule reconstruction for irreparable rotator cuff tears (aka SCI) is fairly new (5 years) and quite intense. I’m still in physical therapy for that one and my range of motion is very limited still (only at 60 degrees). So the other day, when I fell over, like a damn tree falling in the woods, and hit hard the cement pad with my good shoulder, I knew immediately it wasn’t good. I laid there for a few minutes while the dogs all gathered around me, sniffing at my face, — and do you believe not one of them offered to help me up! Not one! Good grief!–

I went to see my orthopedic surgeon on Friday. His P.A. saw me and after looking at the x-rays told me there were no broken bones. BUT the fact that I am unable to lift my arm over my head it is indicative and symptomatic of a rotator cuff tear. I couldn’t believe it. And in my already fragile state, I just started to cry. I can’t even express how mad I am at God right now. Where the hell were my angels when I was falling? Why didn’t they catch me? After everything I’ve been through over these last several years and now this? I’m real fucking pissed off.

But like Steve (the P.A.) said, it was only the second day since the injury. He said to give it a few days to calm down. And let’s just pray that it’s only a contusion (bruised muscle). They are sending me for an MRI, which is scheduled for Wednesday this week. I’m holding out hope but I don’t think I’ll be that lucky. I still can’t lift it over my head. My life sucks sometimes…

Because I’ve been hanging out with ice packs for the last few days I haven’t had a lot of time to spend on the 4M post. So I’m going to start off with a simple playlist of songs that utilize the cool instrument known as the COWBELL

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It may not be particularly unusual as many bands incorporate cowbells into their music. Actually many more than I expected. But I love a cowbell.

What is a cowbell, you ask? Well, it is exactly what it says it is. It’s a bell that was used for cows. The bell was hung around a cow’s neck in order to help locate the animal by the noise it makes. its origin can be traced to freely roaming animals. Though the bells were used on various types of animals, they are typically referred to as “cowbells” due to their extensive use with cattle.

At some point it was discovered to also be useful in making music. Wikipedia says “The cowbell is an idiophone hand percussion instrument used in various styles of music including salsa and infrequently in popular music.” But I’ve discovered that the cowbell has often been used in popular music.

The song that most screams cowbell to me is Blue Oyster Cult’s “Don’t Fear the Reaper” because it was featured on one of Saturday Night Live’s most memorable skits. Airing in April of 2000, the sketch, called “More Cowbell”, is unforgettable with guest host Christopher Walken and the hilarious Will Farrell and other SNL cast members Jimmy Fallon, Chris Parnell, Chris Kattan and Horatio Sanz.

I so wanted to include the video of the complete sketch here but apparently copyright issues are keeping it from being available. There are snippets of it here and there but I can no longer find a video that has the sketch in its entirety. If you have never seen this particular SNL sketch, do yourself a favor and try to find it somewhere. (If you do find the whole thing, please let me know!).

Since I can’t embed the actual performance video for you, I’ll just provide the Wikipedia synopsis, in case you’re interested in what all the hoopla is about this most memorable SNL skit. If you’re not interested, just scroll through the next few paragraphs.

Here is a 44-second snippet blend of the SNL original More Cowbell sketch:

“More Cowbell” is a comedy sketch that aired on Saturday Night Live on April 8, 2000. The sketch is presented as an episode of VH1’s documentary series Behind the Music that fictionalizes the recording of the song “(Don’t Fear) The Reaper” by Blue Öyster Cult. The sketch featured guest host Christopher Walken as music producer “The Bruce Dickinson”, and regular cast member Will Ferrell, who wrote the sketch with playwright Donnell Campbell, as fictional cowbell player Gene Frenkle, whose overzealous playing annoys his bandmates but pleases producer Dickinson. The sketch also starred Chris Parnell as Eric Bloom, Jimmy Fallon as Albert Bouchard, Chris Kattan as Buck Dharma and Horatio Sanz as Joe Bouchard.

The sketch is often considered one of the greatest SNL sketches ever made, and in many “best of” lists regarding SNL sketches, it is often placed in the top ten, being ranked number nine by Rolling Stone. As a result of its popularity, “more cowbell” became an American pop culture catchphrase.

Sketch Synopsis

An episode of VH1’s Behind the Music documenting the band Blue Öyster Cult showcases footage of the group from a 1976 recording session that produced the band’s biggest hit, “(Don’t Fear) The Reaper.” The producer (played by Christopher Walken) introduces himself as “The Bruce Dickinson” and tells the band they have “what appears to be a dynamite sound.” The first take seems to go well but the band stops playing because the cowbell part is rather loud and distracting. Dickinson, to the surprise of most of the band, asks for “a little more cowbell” and suggests that the cowbell player, Gene Frenkle (Will Ferrell), “really explore the studio space this time.” Frenkle’s exuberance in following this advice causes him to bump into his bandmates as he dances around the cramped studio, thrusting his pelvis wildly in all directions, and the band aborts another take.

Frenkle sheepishly agrees to tone down his performance in the spirit of cooperation. He passive-aggressively plays the cowbell very close to Eric Bloom (Chris Parnell)’s ear and fails to keep time with the rest of the band. The rest of the band expresses frustration with Frenkle, but Dickinson remains focused only on getting more cowbell onto the track. Frenkle makes an impromptu speech to the rest of the band, declaring that Dickinson’s stature lends a great deal of weight to his opinion about the cowbell part and that the last time he (Frenkle) checked, they didn’t have “a whole lot of songs that feature the cowbell” and therefore he would be “doing himself a disservice, and every member of the band” if he “didn’t perform the hell out of this.” In the end, the band agrees to let Frenkle play the cowbell part his way. The sketch ends with a freeze frame on Frenkle with the superimposed message: “In Memoriam: Gene Frenkle: 1950–2000.”

It may be hard to see the actual SNL sketch in its entirety online for free at this time but there are a bunch of remakes and tributes to it on YouTube. This isn’t the best one but it gave me a chuckle when I watched it, especially because they portray Blue Oyster Cult with a two-man band. From the 2016 Sycamore Junior High Talent Show, here are Casey Johnson, Andrew Sprowl, and Connor Carto:

Okay, so that’s it for Blue Oyster Cult & “Don’t Fear the Reaper.” My next favorite song that I thought of immediately when thinking cowbells is Nazareth’s “Hair of the Dog.” There are actually several great classic rock songs that utilize the cowbell. But since I’m tired and I really want nothing more than to take a pain pill, grab the huge ice pack that is waiting for me in the freezer and hit my bed, I’m just going to list the songs I’m featuring in the Cowbell playlist. I may come back and add some informational tidbits over the next few days so feel free to stop back by. I may even add more songs. But right now, I just wanna go to bed with my ice…

Oh, before I go, let me just tell you a little bit about the series before I sign off. Each part of the series will describe instruments that are not widely used or not widely known, followed by a playlist featuring songs using those particular instruments. The series is still under construction so you’ll have to join me on the 4M dance floor for the rest of the it, dates to be announced later. It won’t be next week though because that Freebie week will feature the final installment in my Aging and Getting Old(er) series.

Without further ado, here is Part 1 of Songs with Weird, Funky & Cool Instruments, featuring the Cowbell Edition playlist:

(Don’t Fear) The Reaper by Blue Oyster Cult

Hair of the Dog by Nazareth

Mississippi Queen by Mountain

Never Been Any Reason by Head East

You Ain’t Seen Nothing Yet by BTO

Rock & Roll, Hoochie Koo by Rick Derringer

Honky Tonk Woman by Rolling Stones

Fool for the City by Foghat

Slip Kid by The Who

You Can’t Do That by the Beatles

Drive My Car by the Beatles

Low Rider by War

Time Has Come Today by the Chamber Brothers

We’re An American Band by Grand Funk Railroad

Down On the Corner by Creedence Clearwater Revival

Born on the Bayou by CCR

Funk #49 by the James Gang

Nightrain by Guns & Roses

Out Go the Lights by Aerosmith

Photography by Def Leppard

Rock of Ages by Def Leppard

Working for the Weekend by Loverboy

We Didn’t Start the Fire by Billy Joel

Rock Lobster by the B-52s

How cool was that for a total hit parade of classic rock classics?! This may be one of my favorite playlists that I’ve put together. And the other thing that’s cool about it is that it totally qualifies to be part of Mary’s Rocktober Music Fest at her blog Jingle Jangle Jungle! Yay! She’s had some really kickass rock songs every single day this month and there’s still more to come. Be sure to check it out! #RocktoberMusicFest

That wraps up the Cowbell edition. What is your favorite Cowbell song? Come back in a few weeks for Part 2 of the Weird, Funky & Cool Instruments series. What instruments do you want to see featured? Can you guess what instrument(s) I’m going to bring to Part 2? 

Monday’s Music Moves Me (4M) is a blog hop hosted by Marie of X-Mas Dolly, and co-hosted by Cathy of Curious as a Cathy and Stacy of Stacy Uncorked Two other co-hosts recently joined the fun: Alana of Ramlin’ with AM and Colette of Jamerican Spice. Be sure to stop by and visit the hosts and the other participants listed below: